雅号や洗練された画風から、江戸時代の絵師と勘違いすることもあるが、小村雪岱(こむらせったい/1887-1940)は明治、大正、昭和の激動期を鮮やかに駆け抜けた表現者である。しかし、彼が遺した意匠は、一世紀を経た今なお、我々の日常の風景に溶け込んでいる。明治、大正、昭和の激動期を駆け抜けた彼は、江戸の情緒をモダンに昇華させた「挿絵画家」であり、名だたる役者に愛された「舞台美術家」であったが、同時に現代にも続くブランドの美学を決定づけた「稀代のクリエイター」でもあった。
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| Size | |
| Material | Paper |
| Country of origin | Japan |
| Volume | - |
| Weight |
A Midsummer Night's Dream (Yoru-gaku) _ Senoo Violin Score No. 579 _ Designed by Yumeji Takehisa _ Reprinted January 1925
The cover of "A Midsummer Night's Dream (Yoru-gaku)," violin score No. 579, published by Senoo Music Publishing, was designed by Yumeji Takehisa, who gained nationwide popularity for his bijin-ga (pictures of beautiful women).
This is a later work among the Senoo scores, featuring a more refined, modern, and abstract design.
【About Yumeji Takehisa (1884-1934)】Yumeji Takehisa was a Japanese painter and poet. His real name was Mojiro Takehisa. He left behind numerous bijin-ga (pictures of beautiful women), and his lyrical works, known as "Yumeji-style beauties," made him a representative painter of the Taisho Romanticism era, earning him titles such as "Ukiyo-e artist of Taisho." He also illustrated children's magazines and poetic essays.
【Senoo Scores】A series of sheet music, primarily for songs, published by Senoo Music Publishing, founded by Koyo (Kojiro) Senoo from the Taisho to early Showa periods. Many of these covers were designed by Yumeji Takehisa, which was one of the reasons for the emergence of Yumeji fans. Other prominent artists of the time, such as Hisui Sugiura, Kuro Okada, and Shiro Horiuchi, also contributed illustrations. The rabbit mark designed by Yumeji was adopted as the series mark for Senoo Scores.
※As this is an old book,there may be some scuffs, damage, and dirt.
There are pencil-like lines on the upper right angel's wing of the cover and directly above it.
※Since we share inventory with our physical store, items may be out of stock even after an order is placed. In such cases, we regretfully cancel the order, so please be aware in advance.
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
ANTE AC Used Books [Catalogue] Art Deco Exhibition ART DECO 1910-1939
雅号や洗練された画風から、江戸時代の絵師と勘違いすることもあるが、小村雪岱(こむらせったい/1887-1940)は明治、大正、昭和の激動期を鮮やかに駆け抜けた表現者である。しかし、彼が遺した意匠は、一世紀を経た今なお、我々の日常の風景に溶け込んでいる。明治、大正、昭和の激動期を駆け抜けた彼は、江戸の情緒をモダンに昇華させた「挿絵画家」であり、名だたる役者に愛された「舞台美術家」であったが、同時に現代にも続くブランドの美学を決定づけた「稀代のクリエイター」でもあった。
"Taisho Imagery" refers to printed images such as book designs, magazines, postcards, and posters that adorned people's lives primarily during the Taisho era (1912-1926), roughly 100 years ago, extending from...
"Eureka (I have found it!)" is the Greek exclamation Archimedes is said to have shouted. The current "Eureka: Poetry and Criticism," published by Seidosha, not only covers modern poetry and...
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