雅号や洗練された画風から、江戸時代の絵師と勘違いすることもあるが、小村雪岱(こむらせったい/1887-1940)は明治、大正、昭和の激動期を鮮やかに駆け抜けた表現者である。しかし、彼が遺した意匠は、一世紀を経た今なお、我々の日常の風景に溶け込んでいる。明治、大正、昭和の激動期を駆け抜けた彼は、江戸の情緒をモダンに昇華させた「挿絵画家」であり、名だたる役者に愛された「舞台美術家」であったが、同時に現代にも続くブランドの美学を決定づけた「稀代のクリエイター」でもあった。
| Size | — |
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| Country of origin | Vietnam |
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*Although new, there may be scratches, paint unevenness, or graffiti on the body from the time of production or due to being purchased in Vietnam. We believe these imperfections add to the authentic local experience, so please purchase only if you can enjoy them as part of the item's charm.
*We have opened the product once for operation checks.
*The packaging may be dirty to an extent that it does not appear new at the time of purchase in Vietnam. Please let us know if you do not need it.
*Uses 3 AA batteries (sold separately)
This is the Vietnamese issue version of the "Buddhamachine" with three songs. It includes variations of the Vietnamese "Namu Amida Butsu" (Praise to Amitābha Buddha).
Since these are basic Vietnamese chanting songs, they are included in almost all other Vietnamese Buddhamachines. The Vietnamese language is characterized by its gentle sound, so even looping just these three songs can be truly soothing.
Its handy, compact, and lightweight design makes it perfect for carrying around. This is highly recommended for anyone overwhelmed by the variety of choices.
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Buddha Machine B VN Buddha Machine Automatic Chanting Machine I / ANTE VN Buddha Machine B VN Buddha Machine Automatic Chanting Machine I
Buddha Machine B Automatic Buddha Chanting Device H Buddha 6
Buddha Machine B Automatic Buddha Chant Device A Buddha 5
Buddha Machine B VN Buddha Machine Automatic Chanting Device M / ANTE VN Buddha Machine B VN Buddha Machine Automatic Chorus Buddha Machine M
ブッダマシーンU VNブッダマシーン 自動唱佛機 E ソーラーパワー レッド / ANTE VN Buddha Machine U VN Buddha Machine Automatic Chanting Machine E Solar Power Red
雅号や洗練された画風から、江戸時代の絵師と勘違いすることもあるが、小村雪岱(こむらせったい/1887-1940)は明治、大正、昭和の激動期を鮮やかに駆け抜けた表現者である。しかし、彼が遺した意匠は、一世紀を経た今なお、我々の日常の風景に溶け込んでいる。明治、大正、昭和の激動期を駆け抜けた彼は、江戸の情緒をモダンに昇華させた「挿絵画家」であり、名だたる役者に愛された「舞台美術家」であったが、同時に現代にも続くブランドの美学を決定づけた「稀代のクリエイター」でもあった。
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